Dear Commons Community,
I have just finished reading Noah Charney’s The Thefts of the Mona Lisa: The Complete Story of the World’s Most Famous Artwork.” Charney is a professor of art history specializing in art crime. For lovers of the Mona Lisa and Leonardo da Vinci, Charney’s book will be a fun and quick read. Charney provides good details on da Vinci, the Mona Lisa, and especially its theft from the Louvre in 1911. There are intriguing sections on Pablo Picasso and his thefts of artwork from the Louvre especially Cycladic statues that inspired his own paintings. The best parts of the book are surely the descriptions and motives of the thief, Vincenzo Peruugia, an Italian handyman at the Louvre who had easy access to the Mona Lisa. He testified that he stole the painting to return it to Italy where it belonged believing that Napoleon Bonaparte stole it originally. There might have also been other motives including ransom money that are interesting speculations.
If you are a da Vinci or Mona Lisa fan, you will enjoy Charney’s book.
Below is an excerpt of a review that appeared in goodreads.
Tony
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If you read one book on the Mona Lisa, let this be it. From the artwork to its theft and role in popular culture, The Thefts of the Mona Lisa provides the complete story, as written by a best-selling, Pulitzer finalist.
Leonardo da Vinci’s portrait, called the Mona Lisa, is without doubt the world’s most famous painting. It achieved its fame not only because it is a remarkable example of Renaissance portraiture, created by an acclaimed artistic and scientific genius, but because of its criminal history. The Mona Lisa (also called La Gioconda or La Joconde) was stolen on 21 August 1911 by an Italian, Vincenzo Peruggia. Peruggia was under the mistaken impression that the Mona Lisa had been stolen from Italy during the Napoleonic era, and he wished to take back for Italy one of his country’s greatest treasures. His successful theft of the painting from the Louvre, the farcical manhunt that followed, and Peruggia’s subsequent trial in Florence were highly publicized, sparking the attention of the international media, and catapulting an already admired painting into stratospheric heights of fame.
This book reveals the art and criminal history of the Mona Lisa. Charney examines the criminal biography of Leonardo’s Mona Lisa, with a focus on separating fact from fiction in the story of what is not only the most famous art heist in history, but which is the single most famous theft of all time. In the process he delves into Leonardo’s creation of the Mona Lisa, discusses why it is so famous, and investigates two other events in its history of theft and renown. First, it examines the so-called “affaire des statuettes,” in which Pablo Picasso and Guillaume Apollinaire were arrested under suspicion of involvement in the theft of the Mona Lisa. Second, there has long been a question as to whether the Nazis stole the Mona Lisa during the Second World War—a question that this book seeks to resolve.