Dear Commons Community,
I have just finished reading The Wide Wide Sea: Imperial Ambition, First Contact, and the Fateful Final Voyage of Captain James Cook by Hampton Sides. Sides is an American historian, author and journalist. His earlier book, The Ghost Soldiers won the Pen USA Award for Nonfiction. The Wide Wide Sea… is a gripping story of Captain James Cook’s final voyage to the South Pacific. Right from the beginning, Sides lets the reader know that Cook will be killed in Hawaii at the end. Still, the reader wants to know the how and why Cook meets his fate. On the way, one learns of his remarkable talents as the captain of a sailing ship who charted much of the Pacific Ocean from north to south in the 1700s. On this third voyage, Cook, who has a complex and controversial legacy in dealing with Indigenous people, sets out to discover a Northwest Passage in North America. If you are at all interested in Cook and European exploration of the South Seas in the 1700s, you will not put this book down.
Below is review that appeared in The New York Times.
Tony
The New York Times
THE WIDE WIDE SEA: Imperial Ambition, First Contact and the Fateful Final Voyage of Captain James Cook, by Hampton Sides
Reviewed by Doug Bock Clark
In January 1779, when the British explorer James Cook sailed into a volcanic bay known by Hawaiians as “the Pathway of the Gods,” he beheld thousands of people seemingly waiting for him on shore. Once he came on land, people prostrated themselves and chanted “Lono,” the name of a Hawaiian deity. Cook was bewildered.
It was as though the European mariner “had stepped into an ancient script for a cosmic pageant he knew nothing about,” Hampton Sides writes in “The Wide Wide Sea,” his propulsive and vivid history of Cook’s third and final voyage across the globe.
As Sides describes the encounter, Cook happened to arrive during a festival honoring Lono, sailing around the island in the same clockwise fashion favored by the god, possibly causing him to be mistaken as the divinity.
Sides, the author of several books on war and exploration, makes a symbolic pageant of his own of Cook’s last voyage, finding in it “a morally complicated tale that has left a lot for modern sensibilities to unravel and critique,” including the “historical seeds” of debates about “Eurocentrism,” “toxic masculinity” and “cultural appropriation.”
Cook’s two earlier global expeditions focused on scientific goals — first to observe the transit of Venus from the Pacific Ocean and then to make sure there was no extra continent in the middle of it. His final voyage, however, was inextricably bound up in colonialism: During the explorer’s second expedition, a young Polynesian man named Mai had persuaded the captain of one of Cook’s ships to bring him to London in the hope of acquiring guns to kill his Pacific islander enemies.
A few years later, George III commissioned Cook to return Mai to Polynesia on the way to searching for an Arctic passage to connect the Pacific and Atlantic oceans. Mai brought along a menagerie of plants and livestock given to him by the king, who hoped that Mai would convert his native islands into simulacra of the English countryside.
“The Wide Wide Sea” is not so much a story of “first contact” as one of Cook reckoning with the fallout of what he and others had wrought in expanding the map of Europe’s power. Retracing parts of his previous voyages while chauffeuring Mai, Cook is forced to confront the fact that his influence on groups he helped “discover” has not been universally positive. Sexually transmitted diseases introduced by his sailors on earlier expeditions have spread. Some Indigenous groups that once welcomed him have become hard bargainers, seeming primarily interested in the Europeans for their iron and trinkets.
Sides writes that Cook “saw himself as an explorer-scientist,” who “tried to follow an ethic of impartial observation born of the Enlightenment and the Scientific Revolution” and whose “descriptions of Indigenous peoples were tolerant and often quite sympathetic” by “the standards of his time.”
In Hawaii, he had been circling the island in a vain attempt to keep his crew from disembarking, finding lovers and spreading more gonorrhea. And despite the fact that he was ferrying Mai and his guns back to the Pacific, Cook also thought it generally better to avoid “political squabbles” among the civilizations he encountered.
But Cook’s actions on this final journey raised questions about his adherence to impartial observation. He responded to the theft of a single goat by sending his mariners on a multiday rampage to burn whole villages to force its return. His men worried that their captain’s “judgment — and his legendary equanimity — had begun to falter,” Sides writes. As the voyage progressed, Cook became startlingly free with the disciplinary whip on his crew.
“The Wide Wide Sea” presents Cook’s moral collapse as an enigma. Sides cites other historians’ arguments that lingering physical ailments — one suggests he picked up a parasite from some bad fish — might have darkened Cook’s mood. But his journals and ship logs, which dedicate hundreds of thousands of words to oceanic data, offer little to resolve the mystery. “In all those pages we rarely get a glimpse of Cook’s emotional world,” Sides notes, describing the explorer as “a technician, a cyborg, a navigational machine.”
The gaps in Cook’s interior journey stand out because of the incredible job Sides does in bringing to life Cook’s physical journey. New Zealand, Tahiti, Kamchatka, Hawaii and London come alive with you-are-there descriptions of gales, crushing ice packs and gun smoke, the set pieces of exploration and endurance that made these tales so hypnotizing when they first appeared. The earliest major account of Cook’s first Pacific expedition was one of the most popular publications of the 18th century.
But Sides isn’t just interested in retelling an adventure tale. He also wants to present it from a 21st-century point of view. “The Wide Wide Sea” fits neatly into a growing genre that includes David Grann’s “The Wager” and Candice Millard’s “River of the Gods,” in which famous expeditions, once told as swashbuckling stories of adventure, are recast within the tragic history of colonialism. Sides weaves in oral histories to show how Hawaiians and other Indigenous groups perceived Cook, and strives to bring to life ancient Polynesian cultures just as much as imperial England.
And yet, such modern retellings also force us to ask how different they really are from their predecessors, especially if much of their appeal lies in exactly the same derring-do that enthralled prior audiences. Parts of “The Wide Wide Sea” inevitably echo the storytelling of previous yarns, even if Sides self-consciously critiques them. Just as Cook, in retracing his earlier voyages, became enmeshed in the dubious consequences of his previous expeditions, so, too, does this newest retracing of his story becomes tangled in the historical ironies it seeks to transcend.
In the end, Mai got his guns home and shot his enemies, and the Hawaiians eventually realized that Cook was not a god. After straining their resources to outfit his ships, Cook tried to kidnap the king of Hawaii to force the return of a stolen boat. A confrontation ensued and the explorer was clubbed and stabbed to death, perhaps with a dagger made of a swordfish bill.
The British massacred many Hawaiians with firearms, put heads on poles and burned homes. Once accounts of these exploits reached England, they were multiplied by printing presses and spread across their world-spanning empire. The Hawaiians committed their losses to memory. And though the newest version of Cook’s story includes theirs, it’s still Cook’s story that we are retelling with each new age.
Credit. Media Matters.
